CanAsian Dance Festival 2015 Feature #4: Denise Fujiwara, Festival artistic director
Denise Fujiwara wears many hats. An imaginative choreographer, a profound performer, a generous and rigorous teacher, artistic director of Fujiwara Dance Inventions and artistic director of CanAsian Dance Festival. She is resourceful, fiercely intelligent, uncompromising and nurturing. She knows what she's talking about. She knows what she's dancing about.
And luckily, amongst the many demands from her multiple jobs, she took the time to answer a few questions for me about this year's festival. This year the CanAsian Dance Festival offers one program featuring all the artists in the festival. The talent in the 2015 festival is staggering.
LR: The program for the CanAsian International Dance Festival this year is dynamic —it’s an overused word I suppose, but there is a real sense of dynamism between the artists, their aesthetics and drive, not just varied but radically diverse and yet still connected somehow. How did you come to this programming?
And luckily, amongst the many demands from her multiple jobs, she took the time to answer a few questions for me about this year's festival. This year the CanAsian Dance Festival offers one program featuring all the artists in the festival. The talent in the 2015 festival is staggering.
LR: The program for the CanAsian International Dance Festival this year is dynamic —it’s an overused word I suppose, but there is a real sense of dynamism between the artists, their aesthetics and drive, not just varied but radically diverse and yet still connected somehow. How did you come to this programming?
DF: The mixed program highlights the diversity of the Festival’s pan-Asian perspective. I love the way that each artist on the
programme comes with such a very different perspective and that the questions
and insights they provoke cause us to consider what is involved in living and creating
from that particular perspective.
I like to think that when we are given the opportunity to be challenged
and refreshed in this way, it stimulates doubt in our habitual ways of
thinking, empathic understanding, our very humanity.
We put out an international Call to Artists and
then our Selection Committee views all of the submissions. When we meet to do the selections, we
look for outstanding work that represents diverse perspectives.
LR: What
was the original motivation for founding the CanAsian Festival?
DF: CanAsian Dance Festival was a child of the
Toronto Asian Heritage Month Festival created by Saeed Khan in the
mid-1990’s. When that festival
folded, Allen Kaeja and I decided that the dance component of the Festival had
too much unfulfilled potential to let die, so we re-conceived it, registered it
and started to develop it.
LR: Has
this changed or evolved over time?
DF: It started out as a small biennial concert featuring
mainly local artists. Over the
years it developed into a larger international festival. There are probably people who think
that it is an ‘ethnic’ dance concert rather like the old Toronto Caravan
shows. Actually, the work evinces sophisticated
contemporary perspectives.
CanAsian has always kept a rather fluid format
for the alternate years, with different kinds of presenting activities. We have always had projects that
involved commissioning choreographers.
For the past four years we’ve been holding Kick Start, a commissioning project that challenges Canadian
choreographers to develop new choreographic ideas and approaches with
mentorship, dramaturgical support and presentation. We help some of those works to tour and some of them are
chosen for our International Festival.
I would like to continue to develop this aspect of CanAsian.
LR: What
inspires you as a presenter/festival director?
DF: My interest is in presenting, supporting and creating
dance that is at once intelligent, meaningful and engaging. As the Artistic
Director of CanAsian, I look for work that investigates something essentially
Asian, and that can be around a practice, aesthetics, a
philosophical idea, a proposition or a question. We look for work that has potency, that is unusual and
refreshing, and goes deeper than exploring notions of dance form or style.
LR: What
is your dream for the CanAsian Festival?
DF: That more people get involved and that we will
be able to continue to evolve our work.
2015 CanAsian International Dance Festival
April 30 - May 2, 2015 at 8:00pm
Harbourfront Centre Theatre, 231 Queens Quay West, Toronto
TICKETS NOW ON SALE!
CALL 416-973-4000
or online:
photos of Denise Fujiwara courtesy of Fujiwara Dance Inventions.
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